Discussion about this post

User's avatar
Okoduwa Aboiralor's avatar

This is my third time returning to this piece, and each time it leaves my head spinning. The prose does an excellent job of lauching the reader into the dizzying flurry of seemingly answerless questions:

"Will the child even get a chance to breach my walls, to touch the outside world? Can I trust [the doctor's] hands? Can I trust this world with my most precious creation? When will it be my turn? Will [my lover] catch me? Instead of holding me down, will [him] allow me stand on [his] shoulders? Like Rafiki lifting Simba towards the sun, can [he] show me that kind of love?"

This is an old essay, however, so I hope the narrator has found some answers in the meantime-- if not answers, a framework of narratives and counter narratives. Mentioned here is a plethora of romantic/sexual scripts from the zeitgeist (Love & Basketball, Brown Sugar, The Wood, How Stella Got Her Groove Back, The Best Man, Poetic Justice) with an aside that they belong to another generation. I would love to challenge this version of Baby T to consider a sorting system of narratives and counter-narratives along with sociocultural context as opposed to strict chronology as a means of problematizing the implied extinction of trustworthiness and its resultant ennui.

Relatedly, when thinking about the absolute normative force of the zeitgeist-- regardless of which faction one subscribes to, I'm curious to learn more about which norms the narrator enacts in her life. I can't help but think that enclaves of resistance against the various forms of systemic oppression mentioned throughout might lie beyond the horizon of the narrator's conscious and subconscious normative constraints (whether they be compulsory heterosexuality, reproductive mandate, monogamy, or the privatized nuclear family).

There is so much here-- I almost wish it was longer!

Selah Goodson Bell's avatar

👏🏾😢so moving and raw! Proud of you, Tomi!

No posts

Ready for more?